![]() ![]() In the permanent exhibitions, Anja finds herself behind another visitor, a blind woman following her dog. Seeking mementos, visitors scurry about the camp taking snapshots and posing in front of the cremation ovens, unaware that the deportees found great importance in photographs, a fact that the narrator reveals to the reader: Photographs showed the deportees all that they had lost of their former lives. The guidebook instructs visitors to climb to the top of the tower in the adjacent town of Birkenau for an excellent view. Basia, the guide, makes this pointed refusal because she understands that the horrors of history have been reduced to the sanitized procedures of museum voyeurism. In a story in Fleur Jaeggy’s I Am the Brother of XX, a tour guide takes a seat on a bench outside Auschwitz, leaving her client, Anja, to walk through the former concentration camp on her own. ![]()
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